Abstract, impressionist and expressionist works

For Schliefer, abstract painting stimulates the creative juices in the artist’s psyche. The works shown here are but a small number of abstract(ed) works; others can be found throughout the site.

: East Queen Street and East Street. Oil on cotton, 30″ x 30″, 1995. Private collection.

: Klingkling on a Mango Spree. 1972, oil on canvas, Private collection. Klinkling – the common name for a noisy blackbird which likes to hack away at mangoes in the tree tops.

: Dancing at the beach. Acrylic on cotton, 13″ x 16″, 2013. Private collection.

: Streetboys at Moonlight. 13″x11″, acrylic on cotton, 2010-2011. Artist’s collection.

: Boat Park #8. Acrylic on Cotton, 54″ x 54″, unframed. 2013.

: Red on blue with red peeping through. Acrylic on linen collage, 14″ x 11″, 2014. Private collection.

: Eros, 1993, mixed media on cotton, 24″ x 33″. Unavailable.

: Divorce investigator. This reversible painting (signed at both ends) depicts the act of voyeurism – likely to lead to dire consequences. Oil on canvas, 48″ x 40″, 1993. Private collection.

: The disintegrating composition of the “Clipped Doctor Bird” – one of Jamaica’s national symbols – delivers Schliefer’s interpretation of the distorted conditions of the society. 1998, mixed media on linen, 43″ x 52″. Artist’s collection.

: African Theme. The symmetry of the face compelled the artist to depict the bust in like manner in this semi-abstract work. 1968, oil on canvas. Private collection

: Beach picnic. Oil on cotton, 33″ x 24″, 1998. Private collection.

: The man who hung his heart on a Christmas tree. Acrylic on cotton, 32″x43″, 2013. Private collection.

: Woman in red bikini on beach. Circa 2000. Unavailable.

: Ghetto masks. c.1970, oil on canvas, Private collection.

: Disintegrating man 1. Acrylic on cotton, 22″ x 22″, 2009. Private collection.

: Before the rains come. Oil on cotton, 11″ x 14″, circa 1990. Private collection.

: Supplication. A monument to supplication in stone. 1970, appr. 20″ x 28″. Private collection.

: Beach – a work which provides different perspectives on the elements of sea, surf, beach, and sky. 1996, oil on linen, 24″x36″. Artist’s collection.

: View From Catherine’s Peak. Schliefer devised a method of juxtaposing the qualities of the mountain and sky in a multidimensional mountain-scape, geometric angles being the structural guidelines for shaping the perspectival vision. 24″x33″, Oil on cotton, 2003. Artist’s collection.

: Dance for Hunting Spirit. 44″x44″, oil and collage on cotton, 1996. Artist’s collection.

: Beckoning at the wet bar. Acrylic on paper, appr. 14″ x 18″, 2009-2012. Private collection.

: Lovers on the Beach. c.1985. Oil on canvas. Private collection.

: Beach graces. Oil on cotton, 12″ x 24″, 1998. Private collection.

: Boat Park – the artist’s treatment of fishermen’s boats on the beach. Oil on canvas, 1986, private collection.

: Beach Park. 1986, oil on cotton, 54″ x 54″. Private collection.

: Disintegrating man 2. Acrylic on cotton, 24″ x 22″, 2009. Private collection.

: Nude on pink sheet. Acrylic on linen, 24″x 22″, 2021. Private collection.

: Composition with ackee. Oil on canvas, c.1985, Private collection.

: Boat Park, c.1985, oil on canvas, Private collection.

: Pickney Masquerade. 22″ x 24″, acrylic on linen, 2013

: Hellshire, the popular suburban beachsite, provides profound inspiration for Schliefer as a lover of the sea. The scattering of weather-beaten board shacks, the dug-out canoes, the subtle greens and blues of sea and sky shaping the landscape of the beach, he finds irresistible. 1985. Oil on canvas. 54” x 54”. Collection Pan American Art Projects, Miami, USA.

: Shaman mask. Oil on cotton, appr. 12″ x 10″, 1989. Private collection.

: Disintegrating Man 3. Acrylic on paper, 20″x18″, 2011. Artist’s collection.

: Red on green ascending. Acrylic on cotton collage, 14″ x 11″, 2013. Private collection.

: Little Girl at Sunrise. 11″x13″, acrylic on cotton. 2010. Artist’s collection.

: Poodle in Motion. Inspired by a famous painting of a trotting poodle, Schliefer’s version extends the motions involved in its progression. 1978, oil on canvas, 20×16. Collection SCS.